Here are the pros and cons of the two major letterpress inks, rubber based and oil based. Even with opaque while (and to some degree metallic inks) you should expect to see a little bit of the paper showing through. It also means on large inked areas, you’ll see a little paper show-through. Translucent inks mean you can overprint, printing one color over another to create a third color. In fact, assume your ink is translucent unless the label reads “ black,” “ opaque white)”, or “metallic”. Inks are not (usually) opaqueĪlmost all letterpress inks are translucent.
If you have a particular Pantone number in mind and don’t want to mix it yourself, we can supply custom rubber-base mixes and custom oil-base mixes as well. Our Pantone Formula Guides help with both of these needs, and are organized by the type of ink used.
#LETTERPRESS INK HOW TO#
In addition, you may want guidance in how to mix the various Pantone base colors together to get custom colors. The Pantone Matching System for specifying inkīefore you order ink, you probably want to know what it will look like when printed. What you need to print well on your L Letterpress Machine.How to build the ideal letterpress shop.There are wayzgooses (annual printers’ festivals) run by printing museums and associations from Haverill, MA, to rural Wisconsin to Los Angeles. Amalgamated Printers’ Association and other groups are replacing retired members with young (some second-generation, mostly not) members. And several small companies are making wood type, some with the traditional router-and-pantograph method, others with C&C routers. The American Typecasting Fellowship, armed with Monotype and Thompson casters, has taken up the slack from the demise of all the commercial foundries. How would you like to see the art, craft, appreciation, practice, etc., perceived in 20 years?
#LETTERPRESS INK FREE#
SVA’s shop has free photopolymer platemaking (in class) for image-making.
Linotype took the pressure off hand-setting multiple lines of straight text, as did photo- and computer type, but letterpress is freed for more interesting purposes. I have seen waves of interest in letterpress over the last 40+ years. Have you seen an increase of interest in letterpress, as I have from afar, or dwindling interest as technology progresses? Maybe, but this class is not about nostalgia but rather new uses for existing pieces. Is nostalgia another way to appreciate history? Designers need to not only keep current with trends but get ahead of the game by looking back at past innovations. Photo: Alejandro Chentiīy making letterpress work, are we learning from the past or exercising nostalgia?įashions in graphic design cycle and mutate as they have for clothing, architecture, etc. One uses his hand typographic experience to redesign computer fonts. Some use letterpress display type in branding, signage, advertising, packaging, and on book covers. SVA’s collection of 72 cases of real metal type, 100+ cases of wood type, and a large cabinet of borders and ornaments, give the designer’s work a freshness and an edge.įormer students have gone on to print their own products. What does letterpress provide that digital does not? Make another mistake, do something right.” (Sun Ra) Add background textures, superimpose type for vibration/emphasis. Add words of different typefaces on the press bed. Change the color, change the paper (or cloth, sheet metal, thin wood, even plastic). Letterpress is great research and development for any design problem. Letterpress is dimensional, textural, direct-relief printing from modular pieces: letters, borders and ornaments, as well as woodcuts, photo engravings (polymer plates) and found objects. Why should today’s designers learn about letterpress printing? I spoke with Faust about this intimate experience with ink, paper and type. Smith of Purgatory Pie Press, offers a hands-on printing class at the SVA NYC Letterpress studio. One of the most passionate teachers of the craft, Dikko Faust, co-founder with Esther K. For a designer, learning to set metal and wood type is as essential as learning to drive a car (stick or automatic).
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